714 Free Artworks of Red Chalk And Brown Wash

metropolitan museum of artpen and brown inkdrawings in the metropolitan museum of artreligious drawings in the metropolitan museum of artbrush and brown washgraphitebaroquepaperblack chalkgray wash
Leander Taking Leave of Hero Before Swimming Back Across the Hellespont, William Hamilton
drawings in the yale center for british artwilliam hamilton (painter)
Allegory of Sculpture, Gerard van Houten
drawings in the national gallery of art (washington, d.c.)gerard van houten
A Reconstruction of the Mausoleum of Augustus (above) and a View of the Ruins (below), Jan Goeree, before 1704
architectural drawings in the metropolitan museum of artdrawings by jan goeree
Scene of Abduction (recto); Allegorical Figure of Christian Faith, Drawn over Faint Landscape Indications (verso), Ottaviano Dandini, 1706–40
drawings in the metropolitan museum of artottavio dandini
Scene of Abduction (recto); Allegorical Figure of Christian Faith, Drawn over Faint Landscape Indications (verso), Ottaviano Dandini, 1706–40
drawings in the metropolitan museum of artottavio dandini
Christ Driving the Money Changers from the Temple, Frans Floris I, 1530–70
drawings by frans florisnorthern renaissance
Old Ship Model, Willem van de Velde the Elder
drawings of ships in the metropolitan museum of artdrawings by willem van de velde (i)
Two Seated Satyrs and a Child Satyr, Giovanni Battista Tiepolo, between 1696 and 1770
drawings by giovanni battista tiepolo in the metropolitan museum of artrococo,baroque
Two Seated Satyrs and a Child Satyr, Giovanni Battista Tiepolo, between 1696 and 1770
drawings by giovanni battista tiepolo in the metropolitan museum of artrococo,baroque
Scherzo with Antique Figures, Giovanni Battista Piranesi, 1744/1745
drawings in the national gallery of art (washington, d.c.)neoclassicism
Saint Antoninus Kneeling before the Crucifix in Orsanmichele, Florence, Bernardino Poccetti, between 1600 and 1605
drawings in the metropolitan museum of artdrawings by bernardino poccetti
Saint Antoninus Kneeling before the Crucifix in Orsanmichele, Florence, Bernardino Poccetti, between 1600 and 1605
drawings in the metropolitan museum of artdrawings by bernardino poccetti
Design for a Wall Decoration with a River God and Putti carrying the Symbols of King François I, Léonard Thiry, circa 1530–47
anonymous, french, school of fontainebleau, 16th centurydrawings by léonard thiry
Design for a Wall Decoration with a River God and Putti carrying the Symbols of King François I, Léonard Thiry, circa 1530–47
anonymous, french, school of fontainebleau, 16th centurydrawings by léonard thiry
Design for a Wall Decoration with a River God and Putti carrying the Symbols of King François I, Léonard Thiry, circa 1530–47
anonymous, french, school of fontainebleau, 16th centurydrawings by léonard thiry
Scene from the Last Judgment, Study for the Fresco Decoration of One of the Segments of the Cupola of the Cathedral of Santa Maria del Fiore in Florence, Federico Zuccari, 1576–79
drawings by federico zuccarirenaissance,mannerism
Design for a Wall Decoration with a River God and Putti carrying the Symbols of King François I, Léonard Thiry, circa 1530–47
anonymous, french, school of fontainebleau, 16th centurydrawings by léonard thiry
Richard Plantagenet throws the Duke of Somerset's severed head at his father's feet, Henry Fuseli
drawings by johann heinrich füssli in the statens museum for kunstromanticism,fairy painting,neoclassicism
Apollo Bathing, Attended by the Nymphs of Thetis, Charles Le Brun
drawings by charles le brunclassicism,baroque
The Virgin Entrusting the Christ Child to Saint Francis of Assisi, Gaspare Diziani, between 1689 and 1767
religious drawings in the metropolitan museum of artdrawings by gaspare diziani
The Virgin Entrusting the Christ Child to Saint Francis of Assisi, Gaspare Diziani, between 1689 and 1767
religious drawings in the metropolitan museum of artdrawings by gaspare diziani
The Virgin Entrusting the Christ Child to Saint Francis of Assisi, Gaspare Diziani, between 1689 and 1767
religious drawings in the metropolitan museum of artdrawings by gaspare diziani
Allegory of Earth, Charles Le Brun, circa 1660
drawings by charles le brunclassicism,baroque
Saint John the Baptist Preaching., Pier Francesco Mola, 1612–66
pier francesco molabaroque
Saint John the Baptist Preaching., Pier Francesco Mola, 1612–66
pier francesco molabaroque
River Landscape with a Man Standing by a Boathouse, Philips Koninck
drawings in the metropolitan museum of artphilips koninck
Design for a tomb, Pieter Verbrugghen the Younger
drawings in the metropolitan museum of artdrawings by pieter verbrugghen ii
Young Women in a Landscape with Architectural Fragments, Hubert Robert, circa 1773
drawings by hubert robertpre-romanticism
Holy Family in the Stable, Govert Flinck
dutch golden age paintingdrawings by govert flinck
'Untitled', Giovanni Paolo Panini
drawings by giovanni paolo panninibaroque
Young Women in a Landscape with Architectural Fragments, Hubert Robert, circa 1773
drawings by hubert robertpre-romanticism
Holy Family in the Stable, Govert Flinck
dutch golden age paintingdrawings by govert flinck
Christ in the Garden of Gethsemane., Gaspare Diziani
anonymous gift to the metropolitan museum of artdrawings by gaspare diziani
Christ in the Garden of Gethsemane., Gaspare Diziani
anonymous gift to the metropolitan museum of artdrawings by gaspare diziani
Design for Single Footed Dish with Cover Shaped like Flower and Foliage, Erasmus Hornick
rogers fund - drawingserasmus hornick
Old Man Kneeling Facing Upper Left, Salvator Rosa, 1615–73
drawings by salvator rosabaroque
Old Man Kneeling Facing Upper Left, Salvator Rosa, 1615–73
drawings by salvator rosabaroque
Théâtre Italien (Gioacchino Rossini, 1792-1868), Eugène Delacroix, 1821
théâtre italien by eugène delacroixromanticism
Théâtre Italien (Gioacchino Rossini, 1792-1868), Eugène Delacroix, 1821
théâtre italien by eugène delacroixromanticism
Théâtre Italien (Gioacchino Rossini, 1792-1868), Eugène Delacroix, 1821
théâtre italien by eugène delacroixromanticism
The Archangels Gabriel, Michael and Raphael (recto); sketches of figures (verso), Giuseppe Passeri, between 1654 and 1714
rogers fund - drawingsgiuseppe passeri
The Archangels Gabriel, Michael and Raphael (recto); sketches of figures (verso), Giuseppe Passeri, between 1654 and 1714
rogers fund - drawingsgiuseppe passeri
The Archangels Gabriel, Michael and Raphael (recto); sketches of figures (verso), Giuseppe Passeri, 1654–1714
rogers fund - drawingsgiuseppe passeri
The Archangels Gabriel, Michael and Raphael (recto); sketches of figures (verso), Giuseppe Passeri, 1654–1714
rogers fund - drawingsgiuseppe passeri
Design for a sepulchral monument with an allegory of Time; verso: Design for a sepulchral monument, Pieter Verbrugghen the Younger
drawings in the metropolitan museum of artdrawings by pieter verbrugghen ii
Design for a sepulchral monument with an allegory of Time; verso: Design for a sepulchral monument, Pieter Verbrugghen the Younger
drawings in the metropolitan museum of artdrawings by pieter verbrugghen ii
Classical Battle Scene; Verso: Peter and John Heal a Cripple at the Gate of the Temple, Bartholomeus Spranger, circa 1590
drawings by bartholomeus spranger in the metropolitan museum of artnorthern mannerism
Classical Battle Scene; Verso: Peter and John Heal a Cripple at the Gate of the Temple, Bartholomeus Spranger, circa 1590
drawings by bartholomeus spranger in the metropolitan museum of artnorthern mannerism
Classical Battle Scene; Verso: Peter and John Heal a Cripple at the Gate of the Temple, Bartholomeus Spranger, circa 1590
drawings by bartholomeus spranger in the metropolitan museum of artnorthern mannerism
Classical Battle Scene; Verso: Peter and John Heal a Cripple at the Gate of the Temple, Bartholomeus Spranger, circa 1590
drawings by bartholomeus spranger in the metropolitan museum of artnorthern mannerism
Classical Battle Scene; Verso: Peter and John Heal a Cripple at the Gate of the Temple, Bartholomeus Spranger, circa 1590
drawings by bartholomeus spranger in the metropolitan museum of artnorthern mannerism
A Prophet Addressed by an Angel, Sebastiano del Piombo, 1517/1519
drawings in the national gallery of art (washington, d.c.)mannerism,high renaissance
A Battle of Nude Men, Giovanni Battista Piranesi, 1744/1745
drawings in the national gallery of art (washington, d.c.)neoclassicism
Study for "The Four Doctors of the Church", Domenico Beccafumi
drawings in the national gallery of art (washington, d.c.)mannerism,sienese school
The Fountain of Rome at the Villa d'Este, Tivoli, Charles-Joseph Natoire, 1765
drawings by charles-joseph natoire in the metropolitan museum of artrococo
Interior of Saint Peter's, Hubert Robert, circa 1758
drawings by hubert robertpre-romanticism
Lion Hunt, Peter Paul Rubens
drawings by peter paul rubens in the national gallery of art (washington, d.c.)flemish baroque painting,baroque
The Destruction of the Pharaoh’s Army, Hendrick de Clerck, between 1590 and 1610
flemish drawings in the metropolitan museum of artdrawings by hendrick de clerck
Scene of Abduction (recto); Allegorical Figure of Christian Faith, Drawn over Faint Landscape Indications (verso), Ottaviano Dandini, 1706–40
drawings in the metropolitan museum of artottavio dandini
Scene of Abduction (recto); Allegorical Figure of Christian Faith, Drawn over Faint Landscape Indications (verso), Ottaviano Dandini, 1706–40
drawings in the metropolitan museum of artottavio dandini
Architectural Fantasy: Figures on a Grand Staircase (recto); Studies for the Frame of a Shaped Field (verso), Francesco Guardi, 1712–93
drawings by francesco guardi in the metropolitan museum of artrococo
Architectural Fantasy: Figures on a Grand Staircase (recto); Studies for the Frame of a Shaped Field (verso), Francesco Guardi, 1712–93
drawings by francesco guardi in the metropolitan museum of artrococo
Architectural Fantasy: Figures on a Grand Staircase (recto); Studies for the Frame of a Shaped Field (verso), Francesco Guardi, 1712–93
drawings by francesco guardi in the metropolitan museum of artrococo
Architectural Fantasy: Figures on a Grand Staircase (recto); Studies for the Frame of a Shaped Field (verso), Francesco Guardi, 1712–93
drawings by francesco guardi in the metropolitan museum of artrococo
The Death of the Virgin, François Boucher, 1750s
drawings by françois boucher in the national gallery of art (washington, d.c.)rococo
Sketchbook containing 81 drawings and 2 engravings of self-portraits, Hamlet Winstanley, between 1715 and 1720
sketchbook of drawings and engraved self-portraits by hamlet winstanleysketchbooks in the yale center for british art
Allegory of the Battle at Selimbar (October 28, 1599), Hans von Aachen, between 1552 and 1616
drawings by hans von aachengerman renaissance
Allegory of the Battle at Selimbar (October 28, 1599), Hans von Aachen, between 1552 and 1616
drawings by hans von aachengerman renaissance
Allegorical Figures Seen from Below, Domenico Maria Canuti
drawings in the national gallery of art (washington, d.c.)drawings by domenico maria canuti
The Massacre of the Innocents, Giovanni Antonio Pellegrini
drawings in the national gallery of art (washington, d.c.)drawings by giovanni antonio pellegrini
Saint Louis seated with the apostle John standing next to him. Study for an altarpiece in the Chiesa dell'Angelo Raffaele, Venice, Francesco Fontebasso, 1737
drawings by francesco fontebasso in the statens museum for kunstbrown ink
Allegorical Figures: Force, Hercules Strangling the Hydra, Plenty, and Fame, Giovanni Bernardino Rodriguez, between 1600 and 1650
allegorical drawings in the metropolitan museum of artgiovanni bernardino rodriguez
Allegorical Figures: Force, Hercules Strangling the Hydra, Plenty, and Fame, Giovanni Bernardino Rodriguez, between 1600 and 1650
allegorical drawings in the metropolitan museum of artgiovanni bernardino rodriguez
Reconstruction of the Monument to Septimius Severus (above), View of the Ruins (below), Jan Goeree, before 1704
drawings in the metropolitan museum of artjan goeree
A Reconstruction of the Castellum Aquiae Martiae (above) and a View of the Ruins (below), Jan Goeree, before 1704
landscape drawings in the metropolitan museum of artjan goeree
Théâtre Italien (Gioacchino Rossini, 1792-1868), Eugène Delacroix, 1821
théâtre italien by eugène delacroixromanticism
Design for a sepulchral monument with two figures, Pieter Verbrugghen the Younger
drawings in the metropolitan museum of artdrawings by pieter verbrugghen ii
The Virgin Immaculate with the Four Doctors of the Church, Study for the Dispute over the Immaculate Conception, Carlo Maratta, between 1625 and 1713
drawings by carlo marattarogers fund - drawings
Design for a Ceiling with a Woman (Aurora?) in a Chariot and Putti (Recto). Design for an Ornamental Frieze (Verso)., Marco Angolo del Moro, 1537–86
drawings in the metropolitan museum of artmarco angolo del moro
Design for a Ceiling with a Woman (Aurora?) in a Chariot and Putti (Recto). Design for an Ornamental Frieze (Verso)., Marco Angolo del Moro, 1537–86
drawings in the metropolitan museum of artmarco angolo del moro
Design for a Ceiling with a Woman (Aurora?) in a Chariot and Putti (Recto). Design for an Ornamental Frieze (Verso)., Marco Angolo del Moro, 1537–86
drawings in the metropolitan museum of artmarco angolo del moro
Design for a Ceiling with a Woman (Aurora?) in a Chariot and Putti (Recto). Design for an Ornamental Frieze (Verso)., Marco Angolo del Moro, 1537–86
drawings in the metropolitan museum of artmarco angolo del moro
Framed Sketch for a Man, a Dog and a Tree, Pier Francesco Mola, 1612–66
pier francesco molabaroque
Study for a Ceiling Decoration: Coronation of the Virgin (recto); Female Head (verso), Giacinto Brandi, 1680
giacinto brandibaroque
Study for a Ceiling Decoration: Coronation of the Virgin (recto); Female Head (verso), Giacinto Brandi, 1680
giacinto brandibaroque
Design for the Decoration of a Cupola with a Prophet, King David and Two Putti, Mattia Preti
mattia pretibaroque
Design for the Decoration of a Cupola with a Prophet, King David and Two Putti, Mattia Preti
drawings by mattia pretibaroque
Design for the Decoration of a Cupola with a Prophet, King David and Two Putti, Mattia Preti
drawings by mattia pretibaroque
Design for a Cartouche-Shaped Gold Box, Hubert-François Gravelot
drawings by hubert-françois gravelotrococo
Pastoral Scene: A Herdsman and His Family, with Goats, Philipp Peter Roos
philipp peter roosbaroque
Pastoral Scene: A Herdsman and His Family, with Goats, Philipp Peter Roos
philipp peter roosbaroque
The Virgin Immaculate with the Christ Child in Glory (recto); Rinaldo and Armida (verso), Giuseppe Passeri, 1654–1714
religious drawings in the metropolitan museum of artgiuseppe passeri
Design for the Decoration of a Cupola with a Prophet, King David and Two Putti, Mattia Preti
drawings by mattia pretibaroque
The Virgin Immaculate with the Christ Child in Glory (recto); Rinaldo and Armida (verso), Giuseppe Passeri, 1654–1714
religious drawings in the metropolitan museum of artgiuseppe passeri
Design for a Cartouche-Shaped Gold Box, Hubert-François Gravelot
drawings by hubert-françois gravelotrococo
Saint Bernard presenting the host to Guillaume X, duc de Guyenne, Sébastien Leclerc
anonymous gift to the metropolitan museum of artsébastien leclerc
The Island of Anconetta (recto); Two Feet Wearing Pointed Shoes (verso), Francesco Guardi, 1712–93
drawings by francesco guardi in the metropolitan museum of artrococo
The Nine Pierides Transformed into Magpies after Their Unsuccessful Competition with the Muses (Ovid, Metamorphoses, V, 294 ff.), Antoine Dieu
antoine dieurogers fund
The Virgin with Female Attendant Appearing to Four Male Saints, Carlo Maratta, 1680–95
drawings by carlo marattajoseph pulitzer bequest
The Virgin with Female Attendant Appearing to Four Male Saints, Carlo Maratta, 1680–95
works after carlo marattajoseph pulitzer bequest
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